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Events5 Questions With… Tanya Ganz
Trium is a young gallery with a growing international presence, balancing a deep appreciation for art’s emotional and aesthetic value with a clear-eyed approach to investment. Ahead of their first presentation at MEGA in Milan, we spoke to Marketing Director Tanya Ganz about building connections, supporting collectors, and why the gallery's roots are grounded in both passion and strategy.
1. Can you introduce yourself and tell us a little bit about your gallery?
Sure — I’m Tanya Ganz, I’m Swiss, based in Zurich, and I’m the Marketing Director of Trium Art Gallery. I’ve been involved since the very beginning, even before the gallery officially launched. We’re still young — we only started recently — but we’re a very motivated team with lots of ideas and a strong programme of activity ahead.
We focus on modern and contemporary art, and we work with both established and carefully selected younger artists from around the world. One thing that sets us apart is our emphasis on art as an investment. Of course, first and foremost, we believe art should be appreciated for its beauty — how it speaks to you as a collector. But we also want to guide our clients in making smart, thoughtful decisions with potential for mid- to long-term return. That’s why we created an independent investment committee — made up of experts from different parts of the art world — who meet several times a year to advise on trends and strategy. We also offer an art advisory service and aim to support both experienced collectors and those just starting out on their journey.
2. What will you be showing at MEGA in Milan, and why did you choose these works?
We’ll be showing six works — a mix of emerging and established artists, all of the highest quality. We wanted to present something that would speak to both new and seasoned collectors.
From the emerging side, we’re bringing a work by Adam Handler, a young American artist based in New York who’s doing really well in the US and Asia. We believe he has great potential in Europe, where he’s not yet widely represented. We’re also showing a piece by Federico Borroni, a very young Italian artist introduced to us by a curator — he’s from the Academy in Venice, and we’ve just started working with him.
Then we have four more established names: a stunning 1970s décollage by Mimmo Rotella; a strongly publicised work by Mario Schifano; a beautiful painting by Donald Baechler with one of his signature rose motifs; and a large-scale work by Emilio Tadini. We’re working closely with his foundation, who are doing an incredible job in supporting and promoting his legacy.
3. What drew you to MEGA, and how does it differ from other fairs?
As a new gallery, we’ve been taking our time to explore and understand the art fair landscape — there are so many opportunities out there. MEGA was recommended to us by people we trust in the Milan art scene, and it felt like the right fit.
While there are many well-established fairs like Miart — which of course runs at the same time and is beautiful to visit — MEGA felt different. It seems younger, more dynamic, with a slightly different concept. We didn’t attend last year, but from what we’ve heard, it has a really vibrant energy. We’re excited to experience it and grow our network.
4. Collaboration, community and connection are key values at MEGA and at Amici. Have those ideas shaped your gallery’s journey?
Yes, definitely. I think collaboration and community are essential — not just in the art world but in any industry. In this field, everything comes down to relationships and exchange — with artists, collectors, curators, advisors, and all the experts in between. That’s part of our DNA as a gallery.
Our independent investment committee is a great example of that — it’s not just about our team giving advice, it’s about bringing in outside voices to create a well-rounded, expert view. We believe that through collaboration, you grow — and that’s something we always keep in mind.
5. Can you share a moment or idea that has helped shape Trium’s identity so far?
As I said, we’re still a young gallery, so many of our projects are just beginning. I hope we’ll have more to share down the road. But I can say that our whole philosophy is built on two main pillars. The first is a shared passion for art — between the three founding partners and myself. The second is the belief that this passion can be combined with the potential for financial growth. That’s been our thinking since day one, and it guides how we build our artist roster and portfolio. We want to help collectors find that balance — between loving the work and making thoughtful decisions for the future.
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