In this episode, George visits Venezuelan-born artist Lucia Pizzani in her studio at the iconic Gasworks in South London. Their conversation begins in Lucia’s early years in Caracas, tracing how her upbringing sparked a lasting fascination with the natural world, migration, and cross-cultural exchange—threads that continue to weave through her work today.

In this episode George meets with emerging artist Ty Locke in the studio in Mexico City where Ty was on a residency, making a new body of work for the Material Art Fair. The conversation runs through Ty’s upbringing and his discovery of art as a way of expressing himself, queer identity and his subversive use of everyday objects in his sculptures.

In this episode George and Peter meet in Peter's Dartmoor studio and archive for a conversation which runs through establishing a creative community in Devon, the founding of a pop-up art school on Dartmoor with visiting tutors such as Antony Gormley and Richard Deacon, the mentors who opened doors for him as a young sculpture including Isamu Noguchi and Barry Flanagan, and collaborating with Grimshaw Architects and the Eden Project and his architect son Thomas on the design and build of his archive building.

In this episode George and Richard discuss black identity, racism, colonial history, and finding his community. They start by discussing Richard's move to the UK from Trinidad and Tobago to study at the Royal College of Art in London before moving to Hastings.